![]() ![]() The territory no longer precedes the map, nor survives it. It is the generation by models of a real without origin or reality: a hyperreal. Simulacra and Simulation ( French: Simulacres et Simulation) is a 1981 philosophical treatise by the philosopher and cultural theorist Jean Baudrillard, in which the author seeks to examine the relationships between reality, symbols, and society, in particular the significations and symbolism of culture and media involved in. ![]() Simulation is no longer that of a territory, a referential being or a substance. This publication, which has recently been reassessed as the first "post-post-feminist" text, exemplifies Baudrillard's technique of looking at society from another side, emphasising what he called "reversibility" - in this case the gendered triumph of apparent "objects" over the attempts of subjects who wish to control them. Abstraction today is no longer that of the map, the double, the mirror or the concept. All formerly secure terms, such as "desire", "reality", "truth", were now targeted, and the trio of categorical crimes against thought was completed when De la séduction (1979 Seduction, 1990) emerged. In his treatise Simulacra and Simulation the French philosopher states that we are living in a simulated reality and hence have created a hyperreality. 1 < THE PRECESSION OF SIMULACRA > The simulacrum is never what hides the truth - it is truth that hides the fact that there is none.Michel Foucault had chosen not to read the draft Baudrillard sent him, but when it was published he was furious ("Foucault is the last great dinosaur of the classical age," said Baudrillard).īaudrillard had written off Foucault's idea of "power" as simply a redundant notion. Then Baudrillard delivered the bombshell Oublier Foucault (1977 Forget Foucault, 1987), an assault on one of the most influential writers of that generation. In characteristic fashion, Baudrillard saw Marxist thought as part of the problem it sought to theorise: Marx simply universalised or replicated bourgeois notions of the market and capitalist ideology, and effectively fetishised the idea of work. The first, Le Miroir de la production (1973 The Mirror of Production, 1975), took on Karl Marx. ![]()
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